Inspiration | Buero Falk
Journal.Buero-Falk.de
Inspiration | Buero Falk
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text-mode:

Cross sea at Île de Ré, France. The waves of two weather systems meet and create a dangerous grid.
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text-mode:

Cross sea at Île de Ré, France. The waves of two weather systems meet and create a dangerous grid.
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text-mode:

Cross sea at Île de Ré, France. The waves of two weather systems meet and create a dangerous grid.
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asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 6
2. Mimesis 13. Mimesis 2
4. Mimesis 35. Mimesis 5
6. Mimesis 4
7. Now Afloat, She UnfoldsWatermedia and oil on paper mounted on panel12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel9. They Let it go, Let it Rise Watermedia and oil on paper mounted on panel16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
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catmota:

Bottle Brush Trees
Jian Chong Min
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brentonhaslam:

UC Berkeley / Brenton Haslam
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saatchiart:

Today marks the 7th anniversary of the dedication of Gerhard Richter’s “Cathedral Window” in Cologne, comprised of 11,500 squares of glass in 72 colors.
saatchiart:

Today marks the 7th anniversary of the dedication of Gerhard Richter’s “Cathedral Window” in Cologne, comprised of 11,500 squares of glass in 72 colors.
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Adam Noack - Pool
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workman:

blissfulbohemian:
New mixed media painting by Annie Coe, to see more go here:
http://anniecoesstudio.weebly.com
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workman:

iamjapanese:
Hannah Woodman(British, b.1968)
Rock Waves    pencil, oil, pastel on paper 
via
Last light Gwithian   oil on canvas
Late Sun Cornish Winter
Hollyhocks Summer Border Poppy Cottage Garden
Lupins and Foxgloves, Trevoole Farm
workman:

iamjapanese:
Hannah Woodman(British, b.1968)
Rock Waves    pencil, oil, pastel on paper 
via
Last light Gwithian   oil on canvas
Late Sun Cornish Winter
Hollyhocks Summer Border Poppy Cottage Garden
Lupins and Foxgloves, Trevoole Farm
workman:

iamjapanese:
Hannah Woodman(British, b.1968)
Rock Waves    pencil, oil, pastel on paper 
via
Last light Gwithian   oil on canvas
Late Sun Cornish Winter
Hollyhocks Summer Border Poppy Cottage Garden
Lupins and Foxgloves, Trevoole Farm
workman:

iamjapanese:
Hannah Woodman(British, b.1968)
Rock Waves    pencil, oil, pastel on paper 
via
Last light Gwithian   oil on canvas
Late Sun Cornish Winter
Hollyhocks Summer Border Poppy Cottage Garden
Lupins and Foxgloves, Trevoole Farm
workman:

iamjapanese:
Hannah Woodman(British, b.1968)
Rock Waves    pencil, oil, pastel on paper 
via
Last light Gwithian   oil on canvas
Late Sun Cornish Winter
Hollyhocks Summer Border Poppy Cottage Garden
Lupins and Foxgloves, Trevoole Farm
workman:

iamjapanese:
Hannah Woodman(British, b.1968)
Rock Waves    pencil, oil, pastel on paper 
via
Last light Gwithian   oil on canvas
Late Sun Cornish Winter
Hollyhocks Summer Border Poppy Cottage Garden
Lupins and Foxgloves, Trevoole Farm
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yourhandwritingshouldbecomeafont:

wellplanned-architecture:

M-Apartment | Soeda and Architects Japan, 2007.

👌
yourhandwritingshouldbecomeafont:

wellplanned-architecture:

M-Apartment | Soeda and Architects Japan, 2007.

👌
yourhandwritingshouldbecomeafont:

wellplanned-architecture:

M-Apartment | Soeda and Architects Japan, 2007.

👌
yourhandwritingshouldbecomeafont:

wellplanned-architecture:

M-Apartment | Soeda and Architects Japan, 2007.

👌
yourhandwritingshouldbecomeafont:

wellplanned-architecture:

M-Apartment | Soeda and Architects Japan, 2007.

👌
yourhandwritingshouldbecomeafont:

wellplanned-architecture:

M-Apartment | Soeda and Architects Japan, 2007.

👌
yourhandwritingshouldbecomeafont:

wellplanned-architecture:

M-Apartment | Soeda and Architects Japan, 2007.

👌
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workman:

iamjapanese:
Stanisław Baj(Polish, b.1953)
here, here, here and here
workman:

iamjapanese:
Stanisław Baj(Polish, b.1953)
here, here, here and here
workman:

iamjapanese:
Stanisław Baj(Polish, b.1953)
here, here, here and here
workman:

iamjapanese:
Stanisław Baj(Polish, b.1953)
here, here, here and here
workman:

iamjapanese:
Stanisław Baj(Polish, b.1953)
here, here, here and here
workman:

iamjapanese:
Stanisław Baj(Polish, b.1953)
here, here, here and here
workman:

iamjapanese:
Stanisław Baj(Polish, b.1953)
here, here, here and here
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http://www.betterbauhaus.com/
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mentaltimetraveller:

Lionel Esteve
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aubrey levinthal